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Punks & Politicos

RAPrisons

When punk rockers criticized hippies, it was in the context of criticizing their failures and complacency. The agendas of the late-sixties/early seventies radical counterculture -- anti-war, anti-racism, women’s rights, gay rights -- were shared by punk’s political wing. In fact, several individuals in the Vancouver punk scene were inspired by the hippie counterculture. They grew up admiring the wild-haired radicals on television and in the press, but they were a bit too young to join the counterculture in its full-flower. Of course, there were also hippies who criticized the failures of the counterculture.

yippie flyerCanada Day

In Vancouver, as elsewhere, these individuals tended to identify with The Yippies, New York-based radicals who came to prominence in the aftermath of the Chicago Democratic Convention riots. In punk rock, some local Yippie-types recognized a kindred spirit. On Canada Day, 1 July 1978, members of Vancouver’s punk subculture co-mingled with members of the radical hippie counterculture for a free punk concert in Stanley Park. The event was billed as Anarchy In Canada, organized by the Groucho-Marxist Party, and featured DOA, the Subhumans, and Private School. The Canada Day concert was preceded by a Mayday Anarchist Carnival in Stanley Park, which gathered together Vancouver’s Yippies and assorted fellow-travelers (and which was itself an echo of the be-in’s and free concerts that dotted Stanley Park in the late-sixties/early seventies). Among the organizers of both events were Brent Taylor, Ken Lester, and David Spaner. They and their friends helped stage many political-themed punk concerts over the next few years, including Rock Against Racism shows, the Rock Against Radiation concert in Vanier Park, Rock Against Prisons, and Rock Against Reagan.

RARacism DOA BuddhaRAR Chicago

RARadiation

Brent Taylor, Ken Lester, and David Spaner were all veterans of the “underground press” and various activist organizations, and were early converts to punk. Taylor published the punk fanzine Vacant Lot. Lester was writing for Public Enemy (he was a former Georgia Straight staffer), and eventually became the manager of DOA. David Spaner, who had been organizing punk concerts as Ed Sullivan Presents, became the Subhumans’ manager. Both managers organized North American tours by drawing upon their connections in the continent-wide counterculture network.

Five Benefit

In January 1983, an event happened that shook the Vancouver punk scene, especially its political wing. On a highway near Squamish BC, a SWAT team disguised as a roadwork crew stormed a van containing a cache of weapons, and five Vancouver residents -- Ann Hansen, Doug Stewart, former Subhumans bassist Gerry Hannah (aka Gerry Useless), his girlfriend Julie Belmas, and Brent Taylor. For the next few years, during their trial, the Vancouver Five were household names in Canada. They were charged with firebombing pornogrpahic video outlets (accused of selling violent porn), dynamiting a power station on Vancouver Island, blowing-up the Litton factory near Toronto which was manufacturing components for Cruise Missiles, and conspiracy to rob a Brinks armoured truck. Their arrests and trial gutted the political component of the Vancouver scene. Activists who had been familiar faces at punk shows seemed to disappear almost over night. Perhaps the arrests were too close for comfort, and they decided that laying low was the best course of action. Or maybe disagreements about the validity of the Five’s course of action caused rifts among activists. Whatever the cause, the sudden loss of experienced politicos hit the punk scene at an inopportune time -- at the point when punk rock audiences were being swelled by an influx of excitable, young white males from the suburbs.

Comments

Free The Facts

Point of interest: Gerry Hannah was not directly involved or even present in any of the notable actions attributed to the Squamish Five; Amax, B.C. Hydro, Litton or Red Hot Video.

if you're going to mention it...

If you're going to discuss the Squamish 5 and their relationship to the scene, it might be a good idea to be a bit more incisive and give some more info.

Pogo Power to the People!

Greetz! Hope your premiere showing was fantastic last night!

Vacant Lot zine - I'd completely forgotten about that. Wow! Haha!

Nice to see the "political" gig posters in the Punk & Politics article. I had a hand in several of them... including the scribbles on the Anarchy in the Park poster... carefully cutting out the silhouette of the Beatles for the Rock Against Prisons... mixing the ink onto the printer for the Radiation one. Oh yeah, and so many evenings spent slapping up poster upon poster upon poster all around town.

One thing I remember I enjoyed doing for a year or so around 1980 was creating cool little cut 'n paste handouts every week for the upcoming gig. These little works of art would be the typical kind of punky thing with weird colleges of headlines and photos snipped from Time and Macleans magazines. Then, almost hidden within the jumble of images on each one, I'd include some info on how to make a molotov or pick a lock or some similarly criminally subversive suggestions. Each one ended up being a very politically topical handout dealing with the news of the day and my take on it at the time. Kind of wish I'd managed to keep a copy of them because they weren't half shabby, if I do say so me self. No doubt most of 'em ended up on some piss or beer soaked floor. Whao! Which reminds me...

I once got the buzz of handing one of my groovy punky art creations to the main man himself, Mr. Iggy Pop, while we were pissing into urinals at some hall near Commercial and Broadway. The Dead Kennedy's and Subhumans (I believe) were headlining there and Iggy had done a gig earlier that evening downtown at the Commodore or some place. After his gig he came to see the punk gig which I thought was pretty cool... anyhow... I didn't know he was at the gig until I ended up taking a piss at the same time he did, and when I was in the pisser I realized "wow, he's Iggy". So I handed him one of my little punky art creations and said something like "hey man, you'll dig this".

I look forward to seeing this documentary someday. For now however, I enjoy residing in the rural Ontario where its at least 100 km to the nearest theater so I gotta make do with the webisodes (which are great, by the way!). All the best to everybody. Take good care. Cheers! And...

THANKS!!! btw. Keep on rocking against them!

Death to the Sickoids - Subhumans

Love the last line ROCK AGAINST THEM.

Good points all....

One thing that typifies the early scene was the solidarity. Everyone stood up for the same causes,even the pop and art school bands were always playing benefits for good causes. Discrimination of any kind was simply not allowed. Hell,there was enough discrimination against the punks from the outside,no way was anyone getting away with that,and being allowed to participate on the inside.There was virtually no violence at the early gigs and parties,unless it came from without.....that all changed after Hardcore 81,just the name itself brought intense polarization...as well as an army of suburban lougans into the fold....and it was never the same again...

To Good points all...

Yeah, I was there too, and I agree with pretty much everything you say. The whole scene changed around 80-81 - and not for the better... It was sad to witness really, but cool times like that are nearly always brief, albeit pivotal moments. I know most of the people from those days who I speak to feel the same way too. Hopefully - one day - another group of kids somewhere will grab rock n roll by the balls, shake off the cobwebs, and make it mean something one more time. Go for it kids! It CAN be done...