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The BLOODIED BUT UNBOWED website was launched to provide additional background information on the subjects and themes of the documentary film; and also to act as an ongoing historical archive. WEBISODES consist of footage that is exclusive to the website: extended interview clips, outtakes, and material shot specifically for the website.

Recent Posts

Bloodied But Unbowed Friday, November 18 at SFU Harbour Centre
Scott Beadle | November 15, 2011
Bloodied But Unbowed Friday, free screening November 18 at SFU Harbour Centre, Vancouver
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Bloodied But Unbowed on SuperChannel Dec.13
| November 12, 2011
Bloodied But Unbowed on SuperChannel - world broadcast premiere of the feature-length, uncut version!
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Bloodied But Unbowed to invade Winnipeg!
| November 06, 2011
Bloodied But Unbowed invades Winnipeg in November
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Bloodied But Unbowed hits Montreal
| August 15, 2011
Bloodied But Unbowed has been added to Pop Montreal International Music Festival. Bloodied But Unbowed will be screening Thursday, September 22, 2011, 7:30pm, at Blue Sunshine; additional matinee screening Sunday Sept. 25 at 1:30pm.
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Bloodied But Unbowed • July 7 • 9PM • TVOntario
| July 07, 2011
Bloodied But Unbowed • July 7 • 9PM • TVOntario
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NXNE 2011 • BLOODIED BUT UNBOWED • OFFICIAL FILM SELECTION
| May 26, 2011
BLOODIED BUT UNBOWED plus DIVE & DIMINUTION: A PUNK STORY June 17 12 noon • Underground Cinema, 186 Spadina (at Queen St. East) FREE for festival attendees • Cheap tix at door.
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June Campaign
| May 19, 2011
June Campaign: Bloodied But Unbowed on the eastern and western fronts!
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San Francisco screening
| January 20, 2011
San Francisco screening Friday, Feb. 11 2011
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Insex
Scott Beadle | November 08, 2010
Originally fronted by a female singer, Insex's first show with Karl Shewman (AKA "Karlin Sex") was May 23-24 1980 at the Smilin' Buddha, opening for the Subhumans...
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Tunnel Canary
Scott Beadle | October 04, 2010
Tunnel Canary used cheap, customized electronic technology, employed bold fashion and gesture in their performance, and unleashed an extreme musical statement upon their audiences. Back in 1979, few people knew how to describe Tunnel Canary's free-flowing, largely improvised wall of noise, featuring cascading sheets of cathartic rage and abject fury interposed with feedback and drone-like passages...
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